Gina N. Anderson

Just because Halloween is over, it doesn’t mean you have to wait until next year to extend spooky season.

Here are 3 things you can do to keep Spooky season alive:

• Put a spooky spin on Christmas by watching these flix:
  • Gremlins (1984): A young man receives an adorable pet for Christmas only to find out that it spawns mischievous creatures who wreak havoc on his small town.
  • A Nightmare Before Christmas (1993, Disney+): Who doesn’t love a Tim Burton film, marrying the comedy horror genre with your favorite winter holiday.
  • Krampus (2015): No, Krampus doesn’t just deliver a lump of coal to naughty boys and girls in this film, he’s coming for the dysfunctional Engel family in a bloody fight to survive the night.
  • Black Christmas (2019, Netflix): This remake puts a feminist spin on the holiday classic film of the same name to tackle the problematic college culture of Greek life on campus.
  • Violent Night (2022, Amazon Prime): Stranger Things’ favorite David Harbour plays Santa Claus in this ultra-violent Christmas film.
• Watch these modern-day adaptations of your favorite childhood scary story series by R.L. Stine:
  • The Fear Street film series (2021, Netflix): Set in a 1990s backdrop and going back as far as the 1600s, the three-part film follows teens from “the wrong side of the track” who stumble upon a curse that must be broken to save their small town.
  • Goosebumps TV series (2023, Hulu & Disney+): I know, I know, you’re thinking of the bubblegum-flavored Goosebumps of your childhood. This series has been spiced up to engage both youth and adult audiences. There are enough thrills to keep you smiling at your TV and waiting for the next episode to stream.
• Prefer to read your scary stories in print? Check out my stories in the following anthologies:
  • Short story “Delphine the Hag” in the Memento Mori: Rest in Peace anthology (CultureCult Press, Nov. 2023)
  • Short story in The Sirens Call eZine, “The Babysitter” (Issue #63 Halloween edition, Oct. 2023)

When you first make the decision to write, sometimes you have to think long and hard about whether you want to write what you like to read or write what comes natural to you. Read Ron Shannon’s guest blog post on choosing your genre for his perspective. Ron and I both attended Seton Hill University’s Writing Popular Fiction program, so I’m delighted that he had the time to  contribute to my blog. Enjoy and please comment below! His novel The Hedgerows in June is on sale on Amazon.com.

Someone once said you don’t choose your genre, it chooses you. Who said it? Does anyone know? Please tell me.

When asked about my genre I want to say action/adventure. You know, characters embarking on perilous journeys. Questioning their motives, their courage or the desires that make them risk their lives for a promise, a cause, or a loyalty with questionable reward. Action results from the adventure.  Events occur in rapid sequences with danger no one could possibly predict, but are consequential to the expedition.

What about romance carefully written to include the required elements of the genre? The love story must be so important that it doesn’t require anything other than the characters’ full knowledge of its existence. I’m convinced such things are part of the human existence, the basis of what creates dreams and fantasies. No, not just for the sexual aspect of a love story. It’s about the fulfillment of our lives and the need, the requirement to share our experiences, our victories and our defeats. When we are faced with challenges and inevitable horror we seek that certain someone waiting for us no matter what qualities or faults we demonstrate.

But I got carried away. The goal is to write adventure, action and romance that powerful. Yet I can’t deny another component. I write outside the contemporary timeframe. Not the future. That is better suited for those who write speculatively, writers who build worlds and predict the product of shortsighted leadership, authors with the imagination to see things as they are and ponder the unconscionable outcome. No, I don’t write such things. Instead, I write about the past. Not the distant past, but stories set in the twentieth century. Well, for the most part I do. I am in the process of writing a story situated in June of 1876. Yeah, I guess you can call it a Western although when I wrote the first draft I wanted to make it more than a Western. I wanted to make it about the character’s journey toward the identification of his true nature. Something I strive for in all of my work, but that is more about theme than genre and I am going off on a tangent.

I’ve taken the long way around to get to the point. The factor that continues to show up in my work is history. When I first thought about my novel The Hedgerows of June I didn’t consider the connection to historical fiction. I knew I wanted to place the story in World War II. I wanted a time conducive to the creation of one challenge after another. I wanted it to be interesting and heartfelt. Getting to World War II and specifically The Battle of the Hedgerows meant answering a series of “what if” questions.

The story started with a writing prompt that went something like: Someone is about to go on an ill-advised journey. Why would the trip be unwise? It had to be personal, but something told me place and time were key. I imagined a man in the woods with a group of young children he had to get safely to a dangerous destination. He needed help. For some reason a nun seemed likely. Not only should the destination be dangerous, but also the journey. What if it’s during a war? I’ll never be able to explain why I immediately thought of Nazi tanks, German soldiers and the American Army. Oh, and the man realizes he’s falling in love with the nun.

Notice how the history ingredient found me? I could’ve made it during a zombie apocalypse. A trip in outer space could’ve been another option. What about an inner city school? Instead I decided to put the story inside one of the bloodiest battles of World War II, The Battle of the Hedgerows and The Battle of Saint Lô that came immediately afterward.

So why am I so reluctant to say my work is historical fiction? Perhaps because what I wrote is not what I consider to be true historical fiction. I wrote about characters I developed to live during a real time in history. I made up the challenges they experience. The story is my creation. The events I describe never happened except in my story. True historical fiction, at least to me, is totally different. To me historical fiction is not only about a real time in history, it is also about real characters of the period. The characters are usually, but not always, the people creating the history. What makes it fiction is how the writer fills in the blanks. There are real documented events. The historical fiction writer imagines what happened during the time that’s not documented and he or she will make it difficult to distinguish between truth and invention. The reader enters into it with that understanding. There are some great writers who do this very well. For instance Sharon Kay Penman writes about England in the twelfth and thirteenth century. A fellow student at Seton Hill, Dawn Gartelhner, also writes historical fiction.

Although historically based, The Hedgerows of June did not follow the recorded time line. It did describe the conditions, the environment and the state of the armies on both sides. The characters are caught in the middle. They must get to Saint Lô. The lives of the children depend on it.

So there it is. I am not writing about real people in a real time period. I am writing about fictional people in a real time period. The events are fictional, but the surroundings are as close to real as I can make them. I am apt to say my genre is action adventure with strong romantic tendencies. I am reluctant to call it historical fiction, but please call it historical fiction if you want. My publisher does.

About Ron

Ron Shannon discovered a passion for storytelling at a very young age: while listening to his teacher read the Charles Dickens’ classic A Christmas Carol to the overly-excited members of his sixth grade class. Later, he went on to study at Rutgers University in New Brunswick, New Jersey and graduated with the unlikely degree combinations of accounting and English. Recently he completed his Master of Fine Arts in Writing Popular Fiction at Seton Hill University in Greensburg, Pennsylvania. Ron lives, daydreams, and writes at the New Jersey shore.

I’ve traveled to more than 20 countries (some more than once) and lived in Japan for two years. When I visited most of those countries, I either knew people there who could show me around or was on an educational program. For about two or three countries, I cheated and went on a tour. (One of the countries was in the Middle East and too complex to understand and get around without language and deep cultural understanding.)

There are many people who have traveled around the world and have “cheated” and took tours. When you travel on tours you barely scratch the surface of that country’s culture. On these tours you are escorted around and herded like little sheep and you barely have time to negotiate prices in the local language or try something completely new by accident like street food or an awesome little shop where you can buy goods not found online.

In this series of blog posts, I challenge you to explore the culture around you every day and to try your best to travel overseas and engage with “the locals.” Not only is this food for the soul and a heck of a good way to find writing inspiration, but I promise you the experience will set you free and allow you to open up to nuances of cultural interaction that you may have never noticed before. So many of my experiences traveling overseas and getting to know other cultures have influenced me as a science fiction and fantasy writer. There is a whole world out there that is waiting to be explored by you in your own unique way and if you’re a writer, the experience will leave a permanent imprint on you (for good or bad).

I live near a very multicultural city so anytime I want to “travel the world,” I can search for local event listings and find an event (Salsa, African drumming or Japanese tea ceremony anyone?). There are many ways to reach cultures you never knew existed near your “small town.” There’s a social networking site called Meetup.com. You can use the site to either start your own culture or travel “meetup” or join someone else’s. Universities are often a hotbed of intercultural activity and often host many international students. Get to know some students there. Imagine how happy they’d be to share their culture with you! No matter whether you write genre or literary fiction, you will be inspired and the stories you tell will come across more authentic for having done the hands-on research.

I live in the midwest and there are only black and white people here.

So. That’s a terrible reason not to get to know another culture. Perhaps there’s an immigrant black or white family in that group. Have you ever considered that?

I live in Texas and my only neighbors are the tumbleweed.

No excuse. You’re too close to the Mexican border and you’re probably not far from an enclave of Mexican or Mexican-American families.

There are also study abroad programs many colleges and community colleges operate that might give you the opportunity to study abroad if you’re in college. I also just recently learned about the Road Scholar program. Yes, it’s cheating, you’d be going on a tour, but at least it’s educational. My personal favorite tour company is Gate1Travel (very affordable). If you take that route, finds ways to go off the beaten path after your itinerary ends and interact with the locals, even if it’s just to talk to a shopkeeper.

This invitation to travel post is the first in the international cultural connections © series. Please drop a line in the comments section and let me know about your travel adventures and how you’ve used it in writing. Also feel free to ask me questions about how to travel around the world on a budget. Trust me, I’ve done it and I’m not rich! I am rich in experiences though.

So it’s official, I’m a master of fine arts now. I never thought I’d be the master of anything. In fact I’ve always claimed the following: “Jack of all trades, the master of none.” The day that my cohorts and I in the Seton Hill University’s Master of Fine Arts (MFA) program had all been waiting for has come and gone. Two days later and we’re still sharing pictures on Facebook and patting each other on the back.

But slowly we are realizing that now we have no excuse for not submitting our work. We were all required to complete a genre novel to satisfy our thesis requirement so we have work to submit. Is it the daunting task of finding an agent or is it the fear that the rejection letters will start rolling in? I think it’s a little of both.

I don’t want to discourage anyone from taking the plunge and traveling down “the road not taken” (see Robert Frost). I actually want you to follow your passion. Whether you think you want to use your degree as an opportunity to finally focus on your writing or if you’ll also use the degree to find other careers in the publishing industry.

Why would anyone want to get a master of fine arts degree in creative writing (or for me, Writing Popular Fiction)? Some students in our program had full-time jobs in completely respectable industries (not related to creative writing). Some were bestselling-authors who wanted a terminal degree, some were full-time parents, some were retired and some simply couldn’t resist the urge to follow their passion. (Notice the word “were” could be read by a genre writer as “were” as in were- a prefix before an animal name to indicate a type of lycanthropy and/or shapeshifter). There are many reasons why you might want to get a master’s degree in this field, but it must be your own when it comes time to apply, enroll and start your novel.

For those of you who are seriously thinking about pursuing a master of fine arts degree in creative writing, there are several resources to find the right school for you. I recommend searching Poet & Writer’s magazine MFA database or simply Googling a school that’s close to you or in the most ideal location to write.

I was actually looking for a “low-residency” MFA. A low-residency program allows you to work on your degree from anywhere in the country, but requires you to come to campus throughout the year for residencies (sometimes up to one week at a time). A better description of this type of MFA program can be found on this Creative Writing blog post by Sheila Lamb: http://creative-writing-mfa-handbook.blogspot.com/2011/03/low-residency-mfa-handbook-by-lori-may.html .

I felt it appropriate to share our commencement speech by Patricia Lillie delivered on graduation day, January 14, 2015, at the Seton Hill University. The speech is titled, “We’re all mad here.” (Again, there goes those four letters: were). Enjoy and go forth and start writing your own novels!