FilmQuest Festival: How It Went

Professional industry panel discusses film distribution and acquisition.

This week, I went to the FilmQuest Festival in Provo, Utah. It’s the first exclusively genre film festival I’ve attended (although I’ve been to plenty of Cons and other film fests). I was a judge for the feature films, but the festival had so many other categories, from shorts to music videos.

Directors of the sci-fi film block during Q&A.

I was only in attendance for the last three days of the conference, but the workshops I attended about distribution and acquisition, and producing and directing were very insightful about the business side of the film industry. If you’re doing TV, then this festival is not for you as there isn’t very much representation there, which makes sense.

Jon Fitzgerald, founder of Cause Pictures, shares his years of knowledge about film distribution with the audience.

Some of my favorite takeaways:

Film distribution models and platforms for indie films, such as Gathr, Kinema, Bingeable, just to name a few. This is a much better avenue for film distribution than theatrical releases, however, Fathom is looking for more indie films.

Marketing: The most important part of getting your films out there is to make sure that your marketing materials are visually appealing, especially your trailer and poster. Social media marketing is key as well. Comps are important for marketing/pitching. Make sure you find your trailer moments. Sometimes that’s all streaming viewers need to watch.

Perhaps, the most informative panel for me was about acquisitions. Here are those takeaways:

X-Factors: Horror has a built-in audience and it’s still a growing genre, but don’t count on that lasting forever. However, Slashers are back, and short films, in general, can move to feature development.

Movies on the streaming platforms need to perform, meaning audiences have to watch until the end to trigger the ads that generate revenue.

Reviews matter. Make a compelling story that generates word-of-mouth recommendations.

Things to Consider: 1) Make the film with the audience in mind. 2) Stick to one genre during your pitches. In between genres are tough to sell. Understand what you’re making and why. 3) It’s fine to take feedback from your film fest screenings and make changes. It makes the film even better when you try to sell later.

Know your genre and make sure the film opening sets that expectation.

Trends:

Creature features

Sci-fi has more legs in overseas territories

Small and big budget films are selling, but the small films need to sell well to get pre-buy offers.

Overseas markets:

No beheading scenes in horror films in the Middle East.

Family-friendly and adventure films sell really well overseas because they’re good for all ages.

Selling films to airlines add up in sales. Don’t leave this out of your sales strategy.

Horror still sells well, but no ghost stories in some territories.

American movies are not selling well in these territories as the focus is on their domestic film industries: France, Japan, South Korea, to name a few.

Drug use, nudity, foul language, and suicide scenes in films are a no-no in many overseas territories.

AI will make translation in foreign territories much easier, but bad news for voice actors who dub films.

I met a few new friends along the way.

Besides learning about the business side of filmmaking, attending this genre-focused film festival brought back memories of the vibe from my creative writing MFA program at Seton Hill University . I love hanging out with genre nerds like me! While my stay was brief, I did manage to meet a few cool people at the festival. Perhaps even future film collaborators.

If you’re looking for a fun film festival that specializes in genre films, definitely check this one out.

Beautiful backdrop of the mountains (and the moon) in Provo, Utah.

Looking For a Genre Fiction Workshop?

The 2016 In Your Write Mind (IYWM) workshop is hosted by the Writing Popular Fiction program alumni at Seton Hill University in Greensburg, PA. The genre fiction workshop is a unique opportunity for  writers to gather together on the beautiful campus in western Pennsylvania and learn from publishing industry professionals and participate in fiction-writing craft sessions.
The workshop is from June 24 – 26, 2016.  Guests of honor include:
  • Guest Agent Kimberly Brower, The Rebecca Friedman Literary Agency
  • Guest Agent Eric Ruben, The Ruben Agency
  • Guest Editor Diana M. Pho, Tor Books
  • Guest Author Daniel José Older

The special guests will be available for pitch sessions, lead workshops and participate on a panel discussion for Q&A about the publishing world.

The workshop planners are hosting social events after the daily program, including a book signing and reading, and a wine social where workshop attendees are free to dress up in “Trope Your Genre”-themed costumes.

Register today at: https://alumni.setonhill.edu/wpf2016

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