FilmQuest Festival: How It Went

Professional industry panel discusses film distribution and acquisition.

This week, I went to the FilmQuest Festival in Provo, Utah. It’s the first exclusively genre film festival I’ve attended (although I’ve been to plenty of Cons and other film fests). I was a judge for the feature films, but the festival had so many other categories, from shorts to music videos.

Directors of the sci-fi film block during Q&A.

I was only in attendance for the last three days of the conference, but the workshops I attended about distribution and acquisition, and producing and directing were very insightful about the business side of the film industry. If you’re doing TV, then this festival is not for you as there isn’t very much representation there, which makes sense.

Jon Fitzgerald, founder of Cause Pictures, shares his years of knowledge about film distribution with the audience.

Some of my favorite takeaways:

Film distribution models and platforms for indie films, such as Gathr, Kinema, Bingeable, just to name a few. This is a much better avenue for film distribution than theatrical releases, however, Fathom is looking for more indie films.

Marketing: The most important part of getting your films out there is to make sure that your marketing materials are visually appealing, especially your trailer and poster. Social media marketing is key as well. Comps are important for marketing/pitching. Make sure you find your trailer moments. Sometimes that’s all streaming viewers need to watch.

Perhaps, the most informative panel for me was about acquisitions. Here are those takeaways:

X-Factors: Horror has a built-in audience and it’s still a growing genre, but don’t count on that lasting forever. However, Slashers are back, and short films, in general, can move to feature development.

Movies on the streaming platforms need to perform, meaning audiences have to watch until the end to trigger the ads that generate revenue.

Reviews matter. Make a compelling story that generates word-of-mouth recommendations.

Things to Consider: 1) Make the film with the audience in mind. 2) Stick to one genre during your pitches. In between genres are tough to sell. Understand what you’re making and why. 3) It’s fine to take feedback from your film fest screenings and make changes. It makes the film even better when you try to sell later.

Know your genre and make sure the film opening sets that expectation.

Trends:

Creature features

Sci-fi has more legs in overseas territories

Small and big budget films are selling, but the small films need to sell well to get pre-buy offers.

Overseas markets:

No beheading scenes in horror films in the Middle East.

Family-friendly and adventure films sell really well overseas because they’re good for all ages.

Selling films to airlines add up in sales. Don’t leave this out of your sales strategy.

Horror still sells well, but no ghost stories in some territories.

American movies are not selling well in these territories as the focus is on their domestic film industries: France, Japan, South Korea, to name a few.

Drug use, nudity, foul language, and suicide scenes in films are a no-no in many overseas territories.

AI will make translation in foreign territories much easier, but bad news for voice actors who dub films.

I met a few new friends along the way.

Besides learning about the business side of filmmaking, attending this genre-focused film festival brought back memories of the vibe from my creative writing MFA program at Seton Hill University . I love hanging out with genre nerds like me! While my stay was brief, I did manage to meet a few cool people at the festival. Perhaps even future film collaborators.

If you’re looking for a fun film festival that specializes in genre films, definitely check this one out.

Beautiful backdrop of the mountains (and the moon) in Provo, Utah.

I am a Judge for the FilmQuest Film Festival!

FilmQuest Film Festival official poster in collaboration with Bloody Disgusting. Artwork by @Tentaclesandteeth.

I just finished watching 17 feature films over a period of two weeks for this year’s FilmQuest Film Festival that will be held in Provo, Utah from Oct. 23-Nov. 1, 2025. 

This was my first time being a judge for a film festival, so I wasn’t sure how many films I could review in such a short time, but I made it through. 

As a longtime lover of genre films, this was a dream come true. I enjoy watching and writing genre TV, films, and fiction, so this experience gave me greater insight into the next steps after you’ve completed the project. For some filmmakers, that might look like festival submission, distribution, audience reception, and awards! Just being nominated must be something special for the film’s crew, cast, and producers.

FilmQuest is one of the top-rated genre film festivals in the world and boasts the distinction of being the #1 best reviewed film festival on FilmFreeway. If I were an independent genre filmmaker, this festival would be one of the main stops for me because I watched films that had large budgets, and some that were clearly made with heart and passion on small budgets. In this festival, they were all on the same playing field. 

Some of the genre films that I reviewed ranged from comedy musicals to gory horror to thrillers. I viewed them all and I can truly say that each one stood out in their own way. There were a handful of thought-provoking international films as well, both in English and other languages. 

Not only did I rank the films, but also nominations for other categories, such as: Best Actress, Actor, Sound, Direction, etc. I actually found this the most difficult to rank these categories because some of the nominees were good for different reasons. 

Some of the features that have stuck with me stood out for their creative story structure and pacing, out of this world plots, and some took visual storytelling to the next level. I was very pleasantly surprised by one of the comedies that made me laugh out loud (which is hard to do) and one that had a Tarantino flavor to it. I can definitely see a few of them hitting the theaters over the next year or on a streaming channel. They were just that good. 

You can find a link to all of the features and short films (which I did not judge), and other category nominees here. The festival is on its 12th run, and based on the notable actors that I saw in some of the films, you may see some familiar faces if you attend in person. Tickets are on sale on the FilmFreeway and festival website as of the writing of this blog post, but they’re selling out fast. 

Check out the 2025 Schedule to see which days you’d like to attend if you’re like me and can’t attend all of the days. There is also an option to view the films virtually if you want to get ahead of the festival and see what all of the films are about. 

It’s been such an honor to review these films and I hope that this is the first of many more opportunities in the future. Future filmmakers, screenwriters, and film lovers can participate in film festivals in other ways like volunteering. I’d love to learn more about how others stay connected to the film community.

Full disclosure, I submitted my own screenplay to this festival, but it was not selected. Being a judge was a great cancellation prize.