Halloween Hidden Gems: Underrated Movies & TV Shows

29 Sep 2025 Leave a comment

by Gina N. Anderson in fiction, halloween, horror Tags: , , , , , , ,

It’s Halloween season again and I’m sifting through the titles so you don’t have to. Check out some of these Halloween hidden gems that you should check out by category.

Elevated Horror

Gretel & Hansel (2020): You may have missed this one because it came out during the pandemic, but it definitely deserves a hidden gem nod. Directed by quirky horror director, Oz Perkins (Longlegs and The Monkey), this film gives me the vibes of the 2015 film The Witch: atmospheric, dark and moody, oppressive family life, and eldest daughter energy. If The Witch is categorized as elevated horror, this one reaches that level, but relies more on style, composition, and pregnant pauses to increase the tension. 

The film is self-aware enough to stick to the well-trodden beats of its roots, but bold enough to ante up the slow-burn creepiness. I do see Perkins as experimenting with the atmosphere and pacing of the film, but hardcore horror fans might be put off by the scarcity of classic conventions of the horror genre. Magic and supernatural unease are present, but you might miss it between the charm of the witch and the wide-eyed awe of the protagonist, Gretel. The film is, after all, based on a classic German fairytale, and given that the original stories were dark, it was common for those times. 

Despite the setting’s era, Gretel & Hansel’s peril reflects the dark times right now. Where children aren’t safe at school or to play in the streets in the daylight, much less at night. And these two siblings certainly weren’t safe even under the roof of their own mother’s home in the first place. It felt less like a cautionary tale and more like an exploration of Gretel’s own power that she longs to wield, but burdened by her station in life and the care for her little brother. 

Last but not least, Alice Krige is terrifying as the witch, Holda. Whoever styled her costume and makeup did an excellent job of blurring the line between charming grandmother and evil crone. I highly recommend the film if you’re looking for a moody horror flick. 

Bonus: Pay close attention to the music in the film. It really complements the mood and would be a great addition to a Halloween gathering as spooky ambient music.

Here are some other films to check out from the horror genre mashup movies: 

Psychological Horror

Heretic (2024): I was immediately intrigued by the premise of this story and the fact that Hugh Grant plays the lead in a genre I’m not sure I’ve seen him in before. It drew me in even more because I dived in without any kind of prep, reviews, or hype. The story goes: Two young female missionaries visit the house of a hermit (Grant). Eager to discuss their faith with the skeptical man, they soon realize that their visit takes an unsettling turn. It’s a great example of “contained horror,” as the setting is the home they visit and there are only three main characters.  

Foreign

The Oddity (2024, Ireland): Instead of writing a review so that you can enjoy the ending, here is my version of the logline instead: A blind medium haunted by grief over her twin sister’s murder, revisits the crime scene with her golem, only to discover the truth was right under her nose. Go in blind (wink) and you won’t regret it.

Horror TV

Van Helsing (2016-2021): The show follows Vanessa Van Helsing, an enigmatic patient who wakes up from a years-long coma in the middle of a post-apocalyptic world overrun by vampires. She’s got one main mission: to find her daughter who was kidnapped before she fell into a coma. The survivors have a different plan for her: using her unique blood qualities that turn vampires back into humans. Kelly Overton does an amazing job of giving the female descendent of Abraham Van Helsing her own agency. She’s badass and she kicks vampire butt, but she’s also loyal and she’s got a heart of gold for those who follow her. Overton’s Van Helsing navigates betrayals, vengeance, but most importantly, her struggles to hold up the mantle of being humanity’s last hope. 

Black Summer (2019-2021, Netflix): I know, we’ve seen every kind of zombie concept there is, but this Z Nation spinoff is well worth the watch. And don’t worry if you haven’t seen that show because I haven’t either and I still enjoyed it. The show follows the protagonist, Rose, and her journey to find her daughter in a brutal world of a zombie apocalypse. The series starts out slow with Rose evolving from a helpless victim to a certified survivor and eventually zombie slayer. Stick with it through the second season, because that’s when it gets really good. The show is less about the zombies they’re facing and more about the inhumane humans Rose frequently rolls with to achieve her mission of finding her daughter. Not enough people watched it, but this one is definitely a hidden gem as far as TV goes. 

Lovecraft Country (2020, HBO): Don’t let the title fool you. While the TV series borrows some of Lovecraft’s monsters, the setting is very much a historical fantasy against the backdrop of racism of the deep south. The TV series follows a group of young Chicagoans on a roadtrip in search of the protagonist’s father who has gone missing in Jim Crow South. For those who have seen Green Book, you’ve seen a glimpse into the perils of traveling while black in the South at that time. But throw in a little magic, mystery, monsters, and mayhem, and you’ve got a recipe for success. I personally love how casually some of the monsters, human and inhuman, are introduced. Some episodes explore different aspects of the genre through the lens of racism: body horror, magical inheritance, possession, and even dabbles in afrofuturism. This show is worth the wild ride. You’ll never know quite where you’ll be taken next in each episode, but it’s interesting to see how they all come together in the end. Season one left off with the potential for more, but the show was cancelled. That’s okay because it absolutely works as a standalone season.  

Share your Halloween hidden gems in the comments.

Book Review: Bram Stoker’s Dracula

01 Nov 2015 Leave a comment

by Gina N. Anderson in Uncategorized Tags: , , , ,

In the spirit of Halloween weekend, here’s my review of Bram Stoker’s Dracula. 

The level of research and detail that went into Stoker’s portrayal of Count Dracula (aka Vlad the Impaler) took several yearsBram Stokers Dracula cover art and it shows. Stoker’s contemporaries, and a few predecessors, had written vampire novels with its own spin, but none were as popular as his. First of all, the story is written as a collection of letters, audio recordings, memos and diary entries giving the reader the vantage point of several characters: Mina, Lucy, Jonathan Harker, Dr. John Seward, and in some small degree, the infamous Dr. Van Helsing. Although I suspect Van Helsing’s character lacked a diary because Stoker probably thought being described through the eyes of his more passive characters added to the mystique of Van Helsing.

Dracula starts out with young Jonathan Harker being invited by the Count to his Castle in Transylvania to be his solicitor (lawyer), and to help him with purchasing property in England. At first the Count is most gracious and spends hours with Jonathan talking to him about his home country. The Count appears as an old aristocratic man who is interested in one last adventure outside of his home country, but later the reader discovers, through Jonathan, that “the old man has grown young!” Unfortunately for Jonathan, things take a turn for the strange when he realizes that all of the doors in the castle are locked, and he is restricted to his bedroom. Jonathan protests and threatens to leave the castle in the middle of the night, but realizes that the pack of wild wolves that howled every night outside the castle were controlled by the Count.

That brings us to Lucy and Mina, Jonathan’s fiancé back in the United Kingdom, who he tries desperately to get a correspondence to once he realizes he is a prisoner in the Count’s castle. Mina and Lucy are ladies-in-waiting. Mina had already been betrothed to Jonathan Harker before his trip east and Lucy, a fiery redhead, is promised to Arthur, but has two other engagement offers from Quincy and Dr. Seward. This completes the full circle of friends and love quadrangles that drive the “B Story” of Dracula. If it weren’t for these people who were loosely tied together by the two women and Dracula, then there wouldn’t be a Van Helsing to speak of.

It is wonderful to see how Stoker weaves these stories together to bring us to the ultimate climax. Interspersed throughout the story is the teased romance (ah ha! This is when chivalry was alive and well), and the strong female voices of Mina and Lucy, was the imminent threat that is Count Dracula who slowly makes his way to London with the intent to stalk the city and feed. Jonathan Harker knows this and leaves the reader on the edge of their seat wondering how they’ll make it back to London to warn everyone of Dracula’s evil plot! Oh, but that’s when one more brief letter to Mina by way of a Romanian nun (oh what surprises the letters hold!) about Jonathan’s terrible “condition” and that she is to come to him at once and be married.

Here’s where the “B story” takes a turn. One of the very important and central characters is infected, but you get insight into the turning through the character’s diary. Dots are connected and the fantastic world of London is turned upside down when all of the characters converge to track down and kill Dracula before he infects anymore. Throw in some choice settings like Dr. Seward’s insane asylum as a “safe haven” for Mina, and creepy graveyards and you’ve got a perfect picture of Gothic London.

It has been more than one hundred years since the initial printing of Dracula in 1897, and the book is still a classic. It has inspired so many vampire spin-off movies and television shows, created a foundation for bestselling authors like Anne Rice and Stephanie Meyer, and gone through several scholarly reviews. It is very rare that genre fiction stands the test of time, but when it does, it’s not because the conventions lasted, it’s because the writing was above average, and the story itself was unmatched.

Stoker’s mastery of story structure — flashing between POV characters via diary entries, letters, memos and newspaper clippings — was flawless. For the reader, the story was like a case that needed to be solved. Yes, yes, the reader knows how the story ends, but they still don’t know how. It’s an emotional roller coaster ride with each character as the reader puts some of the puzzle pieces together. Even though the reader knows that some characters have the answers to the questions in one character’s head, the reader is still waiting to see when they’d find out where the puzzle piece fits: who is talking to the man, Renfield, in the insane asylum? Who is his “master”? Yes, the reader knows it’s Count Dracula in the form of a mist or a pack of rats, but do we know why Renfield eats insects, wants a cat, or knows details about Mina that he shouldn’t know? Hmm….

This is the joy of reading Dracula one hundred years later. It is like unraveling the mystery of the early genre writer and reexamining the beloved horror story to discover insights into the makeup of a bestseller. Stoker will forever stand tall in the hall of both genre and literary fiction.